The New York Times
“Strikingly beautiful. …excellent sound design… Ms. Milo’s Nannerl is charming and funny… Ms. Milo has a balletic grace, and it’s easy to imagine her slender hands at the keys of…
South China Morning Post
“Sitting in a cloud of perfume and dusting powder, in a voluminousivory dress topped by a sculptural corset, Milo creates a strikinglybeautiful and multi-sensorial experience that transports the audienceto a…
New York Arts
“One of the most remarkable theatrical presentations… Sylvia Milo has brought off a tour de force in creating such an absorbing, intelligent, and sure-footed entertainment on such a subject. …an…
Stage and Cinema
“Sylvia Milo’s luscious depiction . . . eschews the dreaded bio-adaptation problem . . . with class and evocative energy. . . . graceful sophistication. . . . a surprisingly…
Howl Round
“Rather than subsume or subordinate her subject as a domestic relation of Amadeus Mozart, Milo’s theatre piece emancipates Nannerl. She gives the subject of her play the autonomy she never…
Valley Advocat
“Milo’s performance was spry and witty, turning what could have been simply a revisionist complaint into a penetrating portrait of the Mozart who might have been.”
Forged Project Inc.
“This is feminist theatre with girlish allure.”
The Stage
“This is a gem of a show… beautifully designed… [Milo’s] face gleams with passion for the story of Nannerl, whom she becomes – clever, witty, frustrated, sometimes hysterical.”
The Wall Street Journal
“The Big Stars of Experimental Theater”
Londonist
“fascinating… dreamlike… an arresting depiction”