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“Strikingly beautiful. …excellent sound design… Ms. Milo’s Nannerl is charming and funny… Ms. Milo has a balletic grace, and it’s easy to imagine her slender hands at the keys of…


“Sitting in a cloud of perfume and dusting powder, in a voluminousivory dress topped by a sculptural corset, Milo creates a strikinglybeautiful and multi-sensorial experience that transports the audienceto a…


“One of the most remarkable theatrical presentations… Sylvia Milo has brought off a tour de force in creating such an absorbing, intelligent, and sure-footed entertainment on such a subject. …an…


“Sylvia Milo’s luscious depiction . . . eschews the dreaded bio-adaptation problem . . . with class and evocative energy. . . . graceful sophistication. . . . a surprisingly…


“Rather than subsume or subordinate her subject as a domestic relation of Amadeus Mozart, Milo’s theatre piece emancipates Nannerl. She gives the subject of her play the autonomy she never…


“Milo’s performance was spry and witty, turning what could have been simply a revisionist complaint into a penetrating portrait of the Mozart who might have been.”

“This is feminist theatre with girlish allure.”

“This is a gem of a show… beautifully designed… [Milo’s] face gleams with passion for the story of Nannerl, whom she becomes – clever, witty, frustrated, sometimes hysterical.”

“The Big Stars of Experimental Theater”

“fascinating… dreamlike… an arresting depiction”